Lady Jaye, my other half, we married Friday June 13th 1995, was raised from a small child by her grandmother. In 1996, whilst living happily on 10 acres of redwoods with a creek & waterfalls and no neighbours, we heard Mimi, her gran, was severely ill, with colostomy bag, unable to walk and increasingly overwhelming Alzheimers. We agreed to leave California to go to Queens and take care of Mimi 24x7. After a year or so Mimi had to go into full time care as her dementia was so out of touch with “non-sensus reality”.
When we went to work with Sean on your beautiful song he told me his grandmother had just passed away a week ago from Alzheimers and dementia!
This all felt significant, though we don’t know your story and would never ask.
We had recorded Howler monkeys at LA zoo as they woke at dawn in 1996…and kept that tape for some special project. That is what is in the background. The trumpet is a Tibetan Thighbone trumpet, 300+ years old, the thigh of a virgin once owned by Trungpa Kunley of the “crazy Path” of Buddhism. There’s also a Shiva Sadhu’s serpent shaped trumpet. Both said to destroy demons…or in Western speak, release hormones that balance mental issues.
The voice at start and end is Lady Jaye talking about MIND is the being, not the body, just before s/he dropped her body. We wanted it to all be as intimate as you implied it was.
We are proud that the remix WAS included on the deluxe package.
We hope that information helps you see the story we were trying to tell with sound. We always feel music is storytelling, psychic hygiene/healing for our chosen tribe.
Sorry to put this on you but I have an honest question about depression an suicide. Isn't it completely possible for it to be a alternative for someone. Can't there be someone out there who genuinely is tired and doesn't want to continue. I know there is beauty and wonderful things in this world. There are things to look forward to. There will be more pain but also more laughter. But what if I'm not interested?
well… well first off, i’d say, seek professional help immediately. because i am wildly unqualified to answer your question with anything but experience. and first off, my experience says, if you are in such a deep and dark place where you say things like this to total strangers on the internet, you need to be in contact with someone that can help you start to heal.
second, i’d say… you’re wrong. i’d say the things any of us don’t know, especially about tomorrow, could blanket every grain of sand on every beach of the world with bullshit. And to simply assume you are done tomorrow because you are done today is a mistake. a factual mistake, an error, a critical miscalculation.
i’d say, read Tad Friend’s piece JUMPERS in which he seeks and finds and talks to people that jumped off the Golden Gate Bridge — and lived. And they all say the same variations this: “I instantly realized that everything in my life that I’d thought was unfixable was totally fixable—except for having just jumped.”
And know that this piece has kept me in my seat on more than a couple dark nights.
And i’d say — i’d say i felt that way before too, and i was wrong.
And then i’d tell you something i don’t even think my wife knows. this happend years before we met — shit, more than a decade — and it’s not the first time i came close to suicide was on a thanksgiving night. i’d eaten well and then as the house shut down i went into the bathroom, drew a bath as hot as i could manage to stand, and climbed into the tub with a razor blade.
As i started to cut, as the corner touched my skin and that jolt of pain fired into my head, i stopped and thought — y’know, last chance. Are you SURE?
And i was tired. I sounded like you, that i knew there’d be ups again and downs but i was just so fucking TIRED i couldn’t stand the thought of having to get there. I felt this… this never-ending crush of days that were grey and tepid but for some reason i was supposed to greet each one with a smile. the constant pressure of having to keep my shit in all the time was just exhausting.
I wondered, then — well, is there anything you’re curious about. Anything you want to see play out. And i thought of a comic i was reading and i’d not figured out the end of the current storyline. And i realized I had curiosity. And that was the hook i’d hang my hat on. that by wanting to see how something played out I wasn’t really ready. That little sprout of a thing poking up through all that black earth kept me around a little longer.
I realized then that it had been so long since i’d laughed. I was numbed out and shut down and just… i missed laughing. maybe if i laughed a little i could get moving again. so i’d wait for my comic to conclude, try to find a few laughs, and then reevaluate.
So I’m in the bathtub and i got this real sharp-ass razor, right? And i look down and there’s all my bits floating in the water like they do and i thought okay, let’s get funny and i got to work.
I shaved off exactly half my pubic hair vertically. The end result was a ‘fro of pubes that looked like a Chia Pet that only half-worked. I started to laugh as I did it. And every time i’d piss, looking down made me laugh.
Because JESUS what a nightmare.
Shortly thereafter I got very heavily into Chuck Jones and Tex Avery. Way less chafing and way more funny.
jesus. i was still in high school at the time. dig if you will a picture of the chubby weirdo that was always giggling at his dick in the bathroom. that was me.
And then I guess I’d tell you about Dave, who did the same thing as me a few years later, only DIDN’T have my hilarious Chia Dick strategy in mind and got the razor in and up. And as he started to bleed out “Brown Eyed Girl” came on the radio and he realized he’d never get to hear that again so, in a bloody comedy of errors — I swear to god this is true — he got out of the tub, tried to get dressed the best he could, went downstairs calling for help only to find his family gone, went out to his car, and drove to doug’s house only to find doug not home and so, then, finally, he blacked out from blood loss sitting there in his car, playing a van morrison CD on repeat, until, by luck, Doug’s mom came home and found him.
Fucking Van Morrison, y’know?
A song, a comic, something dumb, something small. From that seed can come everything else, I swear to god.
I guess last I’d say… I’d say that, look — if you reached out to me for an answer, than I have to reach back out to you and insist you hear it. Because it means, what, you know me? My work? You read my stuff and thought, well, fuck, if anyone would know why I shouldn’t end my life, if anyone alive is QUALIFIED TO SAVE ME it’s the guy that had britney spears punch a bear? okay — okay, then, so as THAT GUY I’m saying: Get help. Now, today, tonight, whenever — get to a phone and find a doctor that can try to help you heal, that can try to recolorize your world again, that can help you start caring again. All you need is that one tiny thing, that speck, that little grain of sand. the World Series, AVENGERS 2, Tina Fey’s new show, the first issue of PRETTY DEADLY, some slice of the world you’ve never seen, some drink you love, who the fuck will love your dog like you do if you’re gone, what if jabrams KILLS it on the new STAR WARS, the hell are you doing for Halloween, you ever feed a dolphin with your bare hand? because i have and I am fucking telling you IT IS A THING TO EXPERIENCE and oh god WHAT FUCKING FONT WILL STARBUCKS USE ON THE CHRISTMAS DRINK SLEEVES THIS YEAR — i don’t care what or how dumb but i promise you somewhere in your life is that one fleck of dust that can help start you on the road back. That’s all it takes. One fucking mote, drifting through your head.
And because you asked me I am answering you because i know, motherfucker, i know, i know, i know the hole you are fucking in because I was there myself and if you look hard you can still see my writing on those walls and if you stare long enough i swear to god it’s pointing to up
If you’re a boy writer, it’s a simple rule: you’ve gotta get used to the fact that you suck at writing women and that the worst women writer can write a better man than the best male writer can write a good woman. And it’s just the minimum. Because the thing about the sort of heteronormative masculine privilege, whether it’s in Santo Domingo, or the United States, is you grow up your entire life being told that women aren’t human beings, and that women have no independent subjectivity. And because you grow up with this, it’s this huge surprise when you go to college and realize that, “Oh, women aren’t people who does my shit and fucks me.”
And I think that this a huge challenge for boys, because they want to pretend they can write girls. Every time I’m teaching boys to write, I read their women to them, and I’m like, “Yo, you think this is good writing?” These motherfuckers attack each other over cliche lines but they won’t attack each other over these toxic representations of women that they have inherited… their sexist shorthand, they think that is observation. They think that their sexist distortions are insight. And if you’re in a writing program and you say to a guy that their characters are sexist, this guy, it’s like you said they fucking love Hitler. They will fight tooth and nail because they want to preserve this really vicious sexism in the art because that is what they have been taught.
And I think the first step is to admit that you, because of your privilege, have a very distorted sense of women’s subjectivity. And without an enormous amount of assistance, you’re not even going to get a D. I think with male writers the most that you can hope for is a D with an occasional C thrown in. Where the average women writer, when she writes men, she gets a B right off the bat, because they spent their whole life being taught that men have a subjectivity. In fact, part of the whole feminism revolution was saying, “Me too, motherfuckers.” So women come with it built in because of the society.
It’s the same way when people write about race. If you didn’t grow up being a subaltern person in the United States, you might need help writing about race. Motherfuckers are like ‘I got a black boy friend,’ and their shit sounds like Klan Fiction 101.
The most toxic formulas in our cultures are not pass down in political practice, they’re pass down in mundane narratives. It’s our fiction where the toxic virus of sexism, racism, homophobia, where it passes from one generation to the next, and the average artist will kill you before they remove those poisons. And if you want to be a good artist, it means writing, really, about the world. And when you write cliches, whether they are sexist, racist, homophobic, classist, that is a fucking cliche. And motherfuckers will kill you for their cliches about x, but they want their cliches about their race, class, queerness. They want it in there because they feel lost without it. So for me, this has always been the great challenge.
As a writer, if you’re really trying to write something new, you must figure out, with the help of a community, how can you shed these fucking received formulas. They are received. You didn’t come up with them. And why we need fellow artists is because they help us stay on track. They tell you, “You know what? You’re a bit of a fucking homophobe.” You can’t write about the world with these simplistic distortions. They are cliches. People know art, always, because they are uncomfortable. Art discomforts. The trangressiveness of art has to deal with confronting people with the real. And sexism is a way to avoid the real, avoiding the reality of women. Homophobia is to avoid the real, the reality of queerness. All these things are the way we hide from encountering the real. But art, art is just about that.
”—Junot Diaz speaking at Word Up Bookshop, 2012 (via clambistro)